Saturday, June 17, 2017

Witch hunts

Indeed. Although I think the deplorable Posobiec has more of an idea than he realizes there.

The updated staging thing with an open metahistorical reference—Richard Wagner's Ring, say, where the god Wotan is dressed as Wagner himself—is an iffy proposition (as opposed to the general update as when you stage Macbeth in World War I costume to underline the pointlessness of the conflicts) and I personally think the Shakespeare in the Park production of Julius Caesar in which Caesar is made to look like Donald Trump was a terrible, incoherent idea, Shakespeare's Caesar being as unlike Trump as a historical character could well be—profoundly educated, physically brave, deeply attached to his friends (you see him losing the will to live when he realizes Brutus has betrayed him), and really a minor character after all, dying before the play is halfway over—Brutus and Cassius and Antony are the principals.

What's the value to the play of making Caesar a Trump figure? Really, it just ennobles Trump in an absurd way. I don't see that it does anything for the play at all.

But I can definitely see parts for Hillary Clinton in a revival of Arthur Miller's The Crucible. She could be Martha Corey, for instance, who was basically hanged for refusing to believe in witchcraft—isn't that parallel to the way Clinton's insistence on calm rationality and wonkery led to her defeat in an atmosphere that preferred to reduce everything to a pure emotive shout of "It's a disaster! They're killing us!" Or 71-year-old Rebecca Nurse, accused of "tempting and torturing" children, hanged in spite of being found innocent by the jury—there was no evidence against her—when the child accusers went hysterical in the courtroom, claiming she was attacking them there and then, and the jury decided to re-deliberate; doesn't that remind you of the Pizzagate "scandal"—the story of Hillary Clinton and John Podesta running a child sex ring/Satanic coven out of a D.C. pizzeria—breaking out the week before the election?

Hi, Jack Posobiec, there's a part for you there! You could be one of the screaming fit-throwing girls who gets the jury to change their minds!

Or she could be the protagonist of the play's central tragedy, Elizabeth Proctor, whose husband John once had an affair with a servant girl. The affair is long over, but its memory and the couple's unresolved conflict over it brings on the plot twists that lead to the dénouement, in which she doesn't die in the end, but he does, and the two of them come off as the most decent people in the wretched town. That was a true witch hunt.

Cross-posted at The Rectification of Names.

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